mUltimate Chopin

Op. 11, Concerto in E minor, Mvt II

Text Compare Notes Sources Description

Issues : Dotted or even rhythm

Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 1

composition: Op. 11, Concerto in E minor, Mvt II

..

On the 4th crotchet in the bar, there are equal quavers in MFrorch. It may be the original version, changed by Chopin in FE, or a mistake.

category imprint: Source & stylistic information

issues: Dotted or even rhythm

b. 3

composition: Op. 11, Concerto in E minor, Mvt II

..

The d1 and c1 notes on the 2nd beat of the bar are written as quavers in the violas' part. It is the first of a few rhythmic discrepancies of this kind between the orchestral part and the corresponding Chopinesque piano reduction constituting a part of FE – cf. bars 12 and 53. It does not seem that all of them could be attributed to mistakes; there are also no proofs suggesting that Chopin could have been striving for a unified rhythm in those places. Therefore, it suggests that the orchestral parts and the piano reduction were considered independently, to a certain extent, and in a quite surprising aspect.  

category imprint: Source & stylistic information

issues: Dotted or even rhythm

b. 12

composition: Op. 11, Concerto in E minor, Mvt II

..

In the French horns' part, both dyads on the 4th beat of the bar are quavers.

category imprint: Source & stylistic information

issues: Dotted or even rhythm